If photography is a form of control, does every photograph show how the photographer shapes the subject into a particular image, much like a gun that determines another's fate?

Intimate photographs often capture important moments or deep connections between people. Yet perhaps photography does more than bring us closer to reality. It may also create a strange distance—a feeling of being both close and distant at the same time.

​

Before pressing the shutter, we may already carry an idea of who the other person is. But that idea is never fully the person themselves. What appears in the photograph is both them and not them.

​

In this sense, we may "kill" each other through the images we create of one another. At the same time, these photographs may reveal the complex space where our inner thoughts meet the outside world, exposing the tension between what is seen and what is imagined.​

​​​
如果說攝影作為一種支配，照片是否反映攝影者讓被攝者(物)成為什麼樣子，如同一把槍決定對方的命運。

 

除此之外，在親密生活照中往往展現出重要時刻或是彼此水乳交融的關係，但有沒有一種可能是，拉近生活的現實卻又帶著一種奇異的陌生距離，也就是若即若離的狀態，彷彿當我們決定快門前，心中早已投射那個你卻又不是你；我們互相殺了彼此，是否也能窺探內在與外在世界交互後的複雜面向？​