his project began with observing and documenting family relationships, focusing on the emotional bond between artist Chou Fang-Yu and her older sister.

​

After moving out of her childhood home, Fang-Yu and her sister no longer shared daily life, and their connection started to drift apart. However, K-pop became a surprising new bridge between them—a fresh way to connect emotionally. Her sister began practicing K-pop dance routines with friends, and each time she dressed up and practiced, there was something special and focused about her. As the younger sister, Fang-Yu began watching her with a kind of “fangirl” gaze—fascinated by her makeup and choreography, eager to capture the glowing moments of youth before they faded. Some of the outfits may have been uncomfortable, but the process of “becoming beautiful” was her sister’s way of enjoying the spotlight. For Fang-Yu, the act of dressing up and documenting became a playful way to reconnect, and turned into a new form of sisterly dialogue.

​

Over three years of documentation through photography and mixed media, created since Fang-Yu left home in 2021. The works are a collaboration between artist and sister, exploring themes of family, personal identity, and emotional closeness—through obsession, transformation, and the complex love between sisters.

​

源於對家庭關係的觀察與記錄，聚焦於藝術家周芳伃與姊姊之間的情感聯繫。

隨著搬離家中，芳伃與姊姊不再共處日常，彼此生活逐漸分離。然而，K-pop卻成為她們共同的話題，一種新的情感橋梁。姊姊開始和朋友練習韓國流行音樂舞蹈，她的每次裝扮與練習，彷彿存在獨特氣息與專注。作為妹妹，芳伃以一種「迷妹」方式觀看她——既迷戀她認真妝扮與舞步，也迫不及待地瘋狂記錄青春最後的閃耀。那些過於精緻的服裝或許不舒適，但「變得很漂亮」的過程，對於她而言，是享受舞台光芒；而對於我，這種裝扮與記錄的遊戲，不僅成為我們重新對話的方式，更讓我們的情誼產生新的載體。

 

芳伃紀錄3年多時間，用影像及複合媒材創作，是2021年離開老家後，藉由與親姐互動產生的共創。試著探討家人與自身的關係，以迷戀、裝扮和姊妹情感。